Projects
CHAOS! Festival 2023
Presented in collaboration with Highways in august 2023, CHAOS! is a multi weekend live performance festival which included a variety of eclectic artists, each uniquely ruminating on an essential pillar of the Psychopomp artistic ethos: Embracing Chaos.
See here now I’m by myself... talking to myself.. Now that’s–that’s chaos theory.
Dr. Ian Malcolm, Jurassic ParK
NAMES (2023)
Inspired by the biblical story of Shemot or the Exodus story, this exhilarating dance theater work performed by five eclectic dance artists explores how our own ancestral experiences of bondage, freedom and redemption continues to shape our present day lives.
This work was first commissioned by the Brand Library Dance Series in may 2023. Since then it has been performed at highways performance Space in Psychopomp’s CHAOS! Festival in August 2023
Galut|Golah (2023)
(translation: sociopolitical experience & psycho-spiritual experience of exile)
This unique improvisational and chance procedure based work explores the diasporic exiled experience through the audience’s interaction with and manipulation of the sound score in real time via a midi controller. The movement style of this work is an improvisational score of high risk acrobatic skills and virtuosic modern dance requiring the dancers to use verbal communication and discussion to execute.
In The Dream (2023)
Commissioned by the UCSB Percussion ensemble this quirky ensemble work takes place in the liminal space of our dreams. Intricate lifts, unique body balances and virtuosic leaps, turns and floorwork weave together to explore the silly, scary, joyous and strange Qualities of our dreamland.
This work was performed in the UCSB percussion ensemble 2023 Spring Concert with live musicians.
seder Zeraim (2022)
Sedar Zeraim (order of the seeds)
In the Mishnah (a first major written composition of Jewish ethics) it tells us how to engage with the land. We are instructed to work the land for six years and on the seventh year, we must let it rest with a Shmita Year. Shimita directly translates to release. During this time agricultural lands should lie fallow, all debts are forgiven, private land areas become open to the public and anyone is allowed to harvest any naturally growing food. Let's begin to examine this ancient practice through modern eyes. Our bodies grew from microscopic organisms in the watery chaos of this world. How might our relationship with the environment change if we released it from the never-ending work we demand? How might our social structure change if it was customary to share resources like food, water, land and housing with one another? Perhaps offering thanks to the natural world more often would create the space we need to repair our relationship with the land and ourselves
EYN SOF (2022)
EYN SOF meditates on the Jewish practice of existence and constant struggle with YHWH or Hashem or G-d. EYN SOF, a Jewish philosophy positing an explanation to the existence of the spiritual realm and lack of human capability to comprehend such a place, translates directly to without end or limitless. EYN SOF tells the story of five dynamically fierce artists meeting in a space of liminality and battling against all odds to reunify. The movement harkens back to Psychopomp’s physically aggressive roots– full of acrobatic floorwork, confrontational partnering and parkour inspired movement. These qualities are juxtaposed against highly specified gestural movements embodying Ms. Harris’s personal practice of reflective davening or prayer.
NEVIECHA: YOUR PROPHET (2022)
NEVIECHA: YOUR PROPHET WAS COMMISSIONED IN 2022 BY THE DOLAB FOR LIGHTNING IN A BOTTLE MUSIC FESTIVAL. This 9 minute piece premiered on the main thunderstage between the dj’s LSDREAM and Clozee. This work, like all our previous works is an original score created by Riley Smith.
SYLKIES (2020)
An adaptation of YLEM(2020), this film began as a way to pay respect to a work that never had the chance to be shown due to the 2020 Pandemic. This work was collaboratively created by Shenandoah harris and Ryan Howard.
Sylkies works to transport the audience to a dreamlike space. Viewing the lake as a primordial soup landscape to remind the audience how the human body moving through space shares so much in common with Mother Nature.
This work was shot on analog film as a response to the exponentially digitized world we are living in. Using physical media is a hallmark of Ryan Howard's artistic voice as he is always seeking to create a more tactile relationship with the artistic process.
This film is in opposition to the highly edited and easily consumable forms of dance that exist on social media. Both Ryan and Shenandoah aim to create a pathway to a more grounded and reflective experience of consuming art.
YLEM (2020)
"The earliest known microbes, the Ten Kabbalistic Sephirot and 19th century Wendigo Psychosis" are all starting points of inspiration for the collaborative creation of Shenandoah's new work. Danced by seven eclectic and strong artists, YLEM (meaning: the fundamental matter in all things) taps into the nagging feeling of not truly knowing why we are here and ultimately not knowing where our journey will take us.
RELICS: RETURN TO CLAY (2019)
psychopomp dance Theater’s first evening length work , this piece is Inspired by the archaic myth of the Great Flood that spans both culture and religion. Psychopomp brings together five artists in a ruthless landscape that are presented with the opportunity to remake their mindless and brutal society.
Does this opportunity to forge a new reality make a difference?
WYRD: RAW (2018)
WYRD: RAW breaks down the many layers that surrounds feminine and masculine roles that exist within religion and tradition. Focusing on the ritualism and inherent beauty found in male and female bodies moving together, the dancers create sacred and powerful connections that give rise to the transcendent qualities within each of us.
This piece was commissioned by RAW Artists LOS Angeles for their DTLA Performance in September 2018.
WYRD (2018)
wyrd focuses on the power, pain and delicacy that resides in the primal and spiritual aspects of womanhood. This trio of three power women explores these topics through high risk, athletic and emotional movement. How do women negotiate the inner strength that comes from the pain we experience and learn to appreciate and take control of that power? Highlighted as “the most memorable work of the night” in the Synthesis v festival 2018.
Desperantium(2018)
Desperantium takes its inspiration from Auguste Rodin’s work The Gates of Hell. The choreographic material is drawn from the intricately beautiful body shapes of both the male and female figures, the exhibition of raw human emotion and the backstory of Dante’s Inferno. Rather than a specific story, the work creates a landscape for the dancers and the audience to confront their relationships not only with one another but with their own spirituality and mortality.
This piece was commissioned by Highways Performance Space for their 2018 New Shoes Series.
Anomie (2017)
Anomie, the title of the piece, is defined as the condition where society creates a structure where humans feel no moral obligation towards one another. This clash between a personal moral compass and society's moral compass leads to widespread suffering. Anomie focuses on existential fears and invasive thoughts and how these concepts can cause individuals to behave in society. inspiration was drawn from frank auerbach's paintings as well as literature on invasive thoughts and ocd. through collaboratively generating imaginative and spiritually authentic movement this piece allows the viewer to reflect on the world around them. can we create a world governed by morality?
From The Great Above to the Great Below (2016)
From The Great Above to the Great Below is a piece based on joeseph CAMPBELL'S THE HERO'S JOURNEY AS WELL AS THE TALE OF INNANA. This piece tells the story of three women who take on a challenging journey to a rite of initiation through the application of gold paint to their bodies, weaving and intermingled partnering and weight sharing as well as sweepingly powerful movements that explode across the space.
Nefesh|ruach|neshamah(2016)
Nefesh | Ruach | Neshamah was created around specific scenic, lighting and costume design choices. the movement was generated from working with long billowing skirts, huge panels of white fabric hanging down in the space. These white diaphanous panels of fabric are evocative of the separation of realities and reference the allegory of the Plato’s cave, as the dancers are both real and visible at times, and mere shadows in other moments. This piece is set in an otherworldly space, where the dancers explore a new landscape and new relationships with one another.